Wade Matthews - Absent Friends

WADE MATTHEWS - Absent Friends (Sillon, 2005)

Wade Matthews: electronics

After the Doneda and Rombolá outings on Sillón reviewed in these pages last month, you might be forgiven for expecting more of Wade Matthews' work on bass clarinet and flute (especially if you're familiar with his two Creative Sources releases Aspirations & Inspirations and Dining Room Music), but no: Absent Friends is subtitled "Seven Electronic Improvisations" and finds the French-born American improviser using Reaktor software to turn a G4 Powerbook into a virtual analog synthesizer. For the benefit of trainspotters his setup consists of "four audible multiple wave oscillators, a white noise generator with dedicated two-pole resonating filter, three low-frequency oscillators (which can control amplitude, frequency and/or filter depth, cut-off, etc.) a main filter that can be controlled by the LFOs, a bunch of secondary filters and a four-oscillator chorus unit." So now you know. It's not surprising that Matthews goes into detail here, as he studied electronic music with Mario Davidovsky at the mythic Columbia-Princeton Electronic Music Center, where his doctoral dissertation consisted of three pieces for improvisers guided by electronic sounds. "I'm not a woodwind improviser who's just moved into electronics because they’re 'in' right now. My electronic experience goes back almost a quarter of a century," he points out.

These seven tracks come from a set of 19 real time improvisations Matthews recorded while on holiday in France last summer. "I built a 'patch', just as I would with an analog synthesizer, then began to play it, listening to its character and altering its parameters as I went along. I can honestly say it was the easiest recording experience I’ve ever had," he admits. Though the pieces may have emerged in a spate of activity, it's clear he's spent long hours fine-tuning his equipment and perfecting his individual sounds. And despite all the technical info above, this is by no means arid, cerebral music: it's at times vibrant, thrilling, haunting, moving, even disturbing – but consistently impressive. More of Matthews' electronic work is scheduled for release shortly on Creative Sources, in the form of a duo project Mørske-Lys with Ingar Zach. If it's as good as this I can't wait to hear it.–DW

HERE

Wade Matthews & Stéphane Rives

Stéphane Rives: soprano saxophone
Wade Matthews: software synthesis & manipulated field recordings

“Two new, or at least less known names for me, in the world of improvised music. Wade Matthews is credited with software synthesis & manipulated field recordings and Stephane Rives is credited with soprano saxophone. He is playing the soprano saxophone in an unconventional way, of course, very minimal, sublime, mostly producing hissing sounds... At the same time, the electronic sounds of Wade Matthews are making rumbles that intervene with the saxophone, also sublime and precise, dissolving into a hypnotic kind of atmosphere, putting you into a trance kind of mood, a primary state of being... 'Arethusa' is music in a state of becoming, desintegrated even before it achieves it's full form... At the edge of existence... At the edge of presence... A sheer minimalistic beauty... I would definitely like to see and listen to the both of these musicians play this at a concert... Excellent album!” - Boban Ristevski, Outlands

2010 ARETHUSA