Drunkdriver / Mattin - List Of Profound Insecurities

Incredibly brutal noise rock band meets incredibly weird screamer.

"Drunkdriver/mattin is most definitely real. so is the list: physical deterioration, intellectual / emotional stagnation, continuation of a defective gene pool, death of parents, addiction, forgetting everything, remembering it all in a flash, finding love only to lose it, inevitable failure…

which is a fine way to apply an intellectual / emotional sheen to a record that is utterly relentless in its quest to brutalise.

a one chord repeato-monster at times spunking out the harshest noise i’ve heard (see the speaker raping, fractured whiteout, halfway through side b) over monged bellows and vocal retchings like rusted shut’s don walsh chewing hypodermics.

there’s a nice (nice?!) to and fro between mattins damaged industrialisms and drunkdrivers monolithic sludge; some new wave jump-cut take on nate youngs factory noise. it stops and starts breaks down incoherent before dragging it’s ravaged carcass back to life. there is some kindof buggered groove in here of the deformed dislocating butthole surfers / brainbombs variety. one that lurches and leers confused with the wrath of a narcotic addled yahweh.

it’s a twenty minute overloaded overwhelming shriek of existential horror you really should fucking hear."

from http://cowsarejustfood.wordpress.com/2009/10/21/billy-bao-may-08-parts-unknown-drunkdriver-mattin-list-of-profound-insecurities-badmaster/

Listen NOW


Here

Mattin - Proletarian of Noise

MATTIN - Proletarian of Noise (Hibari, 2006)

Mattin: computer

01-Computer Music/Post-Fordism
02-Attitude Fetishist
03-You Are Stuck as a Free Human Being
04-Desecration of Silence
05-Thesis on Noise

you, the consumer, are not freer than me, the producer

your judgement depends on your means and your needs

both of these are determined by our social position

which itself depends on the whole social organisation

you, in aquiring this work

in trying to understand it

and make sense of it

are being part of a market

which is not just producing us as commodities

but also as symbolic and cultural value

in accepting to continue to listen to this work

you are validating the whole structure that this work is part of, i.e. capital.

(from liner notes)

HERE

Ray Brassier, Jean-Luc Guionnet, Seijiro Murayama, Mattin - Idioms and Idiots

RAY BRASSIER, JEAN-LUC GUIONNET, SEIJIRO MURAYAMA, MATTIN - Idioms and Idiots (w.m.o/r, 2010)

Ray Brassier: guitar
Jean-Luc Guionnet: saxophone
Seijiro Murayama: drums, vocals
Mattin: electronics

A .flac version can be found on the Mattin website
the 36-pages booklet (in english) is included is the .zip uploaded here
A new approach of the music, with a non-musician (Ray Brassier, a philosopher), an interesting relexion about improvisation, the interactions between performers and auditors, and the form of the concerts with his limits and his borders. I'm not sure about the instruments/tools used in this concert.


HERE