Alan Shorter - Orgasm (1968)

Alan Shorter - Orgasm

1. Parabola
2. Joseph
3. Straits Of Blagellan
4. Rapids
5. Outeroids
6. Orgasm

Alan Shorter - flugelhorn. trumpet, tambourine
Gato Barbieri - tenor sax
Charlie Haden - bass
Reggie Johnson - bass
Muhammad Ali - drums
Rashied Ali - drums

https://rapidshare.com/files/3465320034/Alan_Shorter_-_Orgasm.lzh

Alan Shorter - Tes Esat (1970)

Alan Shorter - Tes Esat

Tracklist:
1 Disposition
2 Beast Of Bash
3 One Million Squared

Personnel:
Tenor Saxophone - Gary Windo
Trumpet, Flugelhorn, Composed By - Alan Shorter
Double Bass, Flute, Flute [Bamboo], Piano, Bells - Johnny Dyani
Drums, Bells - Rene Augustus

Notes
Recorded March 11, 1970 in Paris at the studio Decca (rue Beaujon)

http://www.multiupload.com/FIS7SJ85LL

Archie Shepp and the Full Moon Ensemble Live at Antibes (1970)

Archie Shepp and the Full Moon Ensemble Live at Antibes

Released 1970

Track listing:
All compositions by Archie Shepp
"The Early Bird, Part 1" - 22:16
"The Early Bird, Part 2" - 26:32
"Huru, Part 1" - 26:15
"Huru, Part 2" - 22:36

Recorded live at Antibes - Juan les Pins Jazz Festival, July 18, 1970

Personnel:
Archie Shepp ? tenor saxophone, piano, recitation
Clifford Thornton: trumpet, piano
Alan Shorter: flugelhorn
Joseph Dejean: guitar
Beb Guerin: double bass
Claude Delcloo: drums

Archie Shepp and the Full Moon Ensemble is a live album by Archie Shepp recorded at the Juan les Pins Jazz Festival in Antibes, France, on July 18, 1970. It was originally released on the BYG Actuel label in two volumes and re-released as
a double CD in 2002. Each CD includes one title only. The sheet of rhythm by French team (Beb Guerin, Claude Delcloo and Joseph Dejean sounds like endless wave. Piano by Shepp or Thornton repeats simple patterns like white marks on the wave. On them, three fronts play free improvisation by rotation. Shepp groans poetry of implied political message. These elements are typical kinds of early '70s music culture. Far from easy listening. But, different from just noisy and avant-garde.

I do not think many free jazz / improvisation music funs get to like this work. But, maybe if someone feels something from this, he / she would be enchanted by this spellbound.　


http://rapidshare.com/files/454982948/Archie_Shepp-Live_in_Antives_Vol_1___2_mp3.rar

ALAN SILVA - SEASONS

Alan Silva and Celestrial Communication Orchestra, The - Seasons (BYG - 1970)

1. Seasons
2. Seasons

Bass, Violon [Electric], Sarangi [Electric] - Alan Silva
Cello - Kent Carter
Cello, Celeste - Irene Aebi
Drums, Percussion - Famoudou Don Moye
Drums, Percussion, Bronte - Jerome Cooper
Piano - Dave Burrell , Joachim Kühn
Producer - Jean Georgakarakos , Jean-Luc Young
Saxophone [Alto], Clarinet - Michel Portal
Saxophone [Alto], Flute - Robin Kenyatta
Saxophone [Soprano] - Steve Lacy
Saxophone [Tenor], Saxophone [Soprano], Flute - Ronnie Beer
Saxophone, Flute, Bassoon - Joseph Jarman
Saxophone, Flute, Oboe - Roscoe Mitchell
Timpani, Percussion - Oliver Johnson
Trumpet - Alan Shorter
Trumpet, Flugelhorn - Lester Bowie
Trumpet, French Horn - Bernard Vitet
Viola [Electric] - Jouk Minor
Violin [Electric] - Dieter Gewissler

This is very outstaindingly gigantic works in its lengthy and numbers of players in free jazz orchestral works. Non-stop over 2 hours and 20 minutes long and participants are as the above. His previous album of Celestrial communication orchestra "Luna Surface" (same in BYG label) is chaotic music. Drastic collective improvisation continues in 30 and several minutes. But this Seasons is different. Parts of Corrective imporvisation, arranged, solos are allocated in calculated manner. Sounds vary in stream of music. Whole work arises unique imagination in listners.

http://rapidshare.com/files/443237801/AS-seasons_mp3.rar

Marion Brown Septet - Juba-Lee

MARION BROWN SEPTET - Juba-Lee (Fontana, 1967)

Marion Brown: alto saxophone
Bennie Maupin: tenor saxophone
Alan Shorter: trumpet, flugelhorn
Grachan Moncur III: trombone
Dave Burrell: piano
Reggie Johnson: bass
Beaver Harris: drums

1. 512E12
2. The Visitor
3. Juba-Lee
4. Iditus

Recorded only a month before his classic Impulse debut, Three for Shepp, this much overlooked session, though quite different, is more than reputable in its own right. The reason for its obscurity is pretty simple. Juba-Lee, as of May 2003, had yet to see formal release anywhere in the world other than its original Dutch pressing and subsequent reissues in Japan. Otherwise, it bears a good deal of resemblance to his Marion Brown Quartet date on ESP, so listeners familiar with that session should know what to expect here. Among other reasons, this is because both sessions share the talents of Alan Shorter and bassist, Reggie Johnson. Also on hand were tenor man Bennie Maupin, pianist Dave Burrell, drummer Beaver Harris, and trombonist Grachan Moncur III. All but Maupin and Shorter would also appear on Three for Shepp. It should go without saying that any free jazz session featuring either Shorter or Moncur is going to be heavy. Both men, as soloists and as composers, tend to dramatically alter any recording upon which they appear. They usually contribute at least one tune to the repertoire -- here it's Shorter -- and both have a very deliberately paced and immediately recognizable delivery as soloists. Unfortunately, this would be the only session upon which the two appeared together, making the historical relevance of this date even more pronounced. The opening tune is a free-for-all, but the title track is reminiscent of Brown's wonderful "Capricorn Moon," employing a playful and spirited head. Both "The Visitor" and "Iditus" are deep and pensive, very much what one would expect from a session featuring Moncur or Shorter. Highly recommended. (from AMG)

HERE