Affichage des articles dont le libellé est Marion Brown. Afficher tous les articles
Affichage des articles dont le libellé est Marion Brown. Afficher tous les articles

mardi 4 octobre 2011

Marion Brown - November Cotton Flower(1979)


Marion Brown - November Cotton Flower

Tracklist:
A1 November Cotton Flower 10:28
A2 La Placita 10:11
B1 Fortunato 7:14
B2 Pleasant Street 7:14
B3 Sweet Earth Flying 9:00

Personnel:
Alto Saxophone - Marion Brown
Bass - Earl May
Drums, Percussion - Warren Smith
Guitar - Karl Rausch (tracks: A1, B3)

Recorded June 21-22, 1979 at Sound Ideas Studios, New York City.

I have been looking for this album, and could find out very recently. This
is rare item.
In this album, Marion is not in free jazz. But his lyrical and cantabile
playing style here can be found out even in his early "Free style" time.

Ripped from lp.

http://www.multiupload.com/H8VC30FUZV

mardi 4 janvier 2011

Marion Brown Septet - Juba-Lee

MARION BROWN SEPTET - Juba-Lee (Fontana, 1967)

Marion Brown: alto saxophone
Bennie Maupin: tenor saxophone
Alan Shorter: trumpet, flugelhorn
Grachan Moncur III: trombone
Dave Burrell: piano
Reggie Johnson: bass
Beaver Harris: drums

1. 512E12
2. The Visitor
3. Juba-Lee
4. Iditus

Recorded only a month before his classic Impulse debut, Three for Shepp, this much overlooked session, though quite different, is more than reputable in its own right. The reason for its obscurity is pretty simple. Juba-Lee, as of May 2003, had yet to see formal release anywhere in the world other than its original Dutch pressing and subsequent reissues in Japan. Otherwise, it bears a good deal of resemblance to his Marion Brown Quartet date on ESP, so listeners familiar with that session should know what to expect here. Among other reasons, this is because both sessions share the talents of Alan Shorter and bassist, Reggie Johnson. Also on hand were tenor man Bennie Maupin, pianist Dave Burrell, drummer Beaver Harris, and trombonist Grachan Moncur III. All but Maupin and Shorter would also appear on Three for Shepp. It should go without saying that any free jazz session featuring either Shorter or Moncur is going to be heavy. Both men, as soloists and as composers, tend to dramatically alter any recording upon which they appear. They usually contribute at least one tune to the repertoire -- here it's Shorter -- and both have a very deliberately paced and immediately recognizable delivery as soloists. Unfortunately, this would be the only session upon which the two appeared together, making the historical relevance of this date even more pronounced. The opening tune is a free-for-all, but the title track is reminiscent of Brown's wonderful "Capricorn Moon," employing a playful and spirited head. Both "The Visitor" and "Iditus" are deep and pensive, very much what one would expect from a session featuring Moncur or Shorter. Highly recommended. (from AMG)

HERE